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From the Lillian Gish website (lilliangish.com): Not only was Lillian Gish born in the right era, but she was also born with the ethereal beauty and grace to make her a star in the silent film industry. If Mary Pickford was the silent cinema's greatest personality, Lillian was its greatest actress. Her stage debut took place in 1902 when she performed at The Little
Red School House in Rising Sun, Ohio. From 1903 to 1904, with her mother
and her sister Dorothy, Lillian toured in Her First False Step. The
following year, she danced with the Sarah Bernardt production in New
York City. From 1908 to 1911 she moved around, staying with various
relatives. She lived with her aunt in Massillon, Ohio, with her mother
in East St. Louis and briefly with her father in Oklahoma. That same year, in The Mothering Heart, Lillian started showing signs of
the emotional power hidden in the seemingly frail and hauntingly
beautiful actress. Griffith utilized Lillian's aura to its fullest to
develop the image of the suffering heroine. She also demonstrated an
intense anger as shown in the same film, when she beats a bush after the
death of her child. This intensity was present in all her films
thereafter. Broken Blossoms is arguably Lillian's greatest silent film.
The terror she expressed as her drunken father breaks down the door to
the closet she was hiding in was communicated directly to the audience.
She displayed that same intensity in Way Down East, when she baptizes a
dying baby and in The Wind, where she roams, dying, through the streets
of Montmartre. In 1920, she directed Dorothy Gish in Remodeling Her
Husband and in 1922 she made Orphans in the Storm, her last film under
Griffith's direction. She joined Metro-Goldwyn-Mayer in 1924 and made
her first "talkie" One Romantic Night in 1930. She then returned to the
stage in Uncle Vanya. |
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